Monday, May 3, 2010

Venice Garden and Home Tour May 2010 - Part 2


OK, so did that work for you?  Here's more of last Saturday's garden and home tour in Venice.  I have to say up front, I was really kind of surprised that the homeowners allowed as much photography as they did.  Obviously some houses restricted access to certain parts, and some allowed photography only of exterior areas.  But generally they were very generous and welcoming.  Obviously any kind of publicity is good if you're interested in selling your work and ideas, so I am here to do my part in helping any of the talented and original people associated with these houses.  All in all there were about 30 to visit.  Some very modest as this one just below and some of them pulled out ALL THE STOPS. As you will see.


This home was a snug bungalow with artists' studios at the back.  The front house was actually available for short term rent.  I'll see if I can dig up the link for you.  Two bedrooms I think.  The star of the show was the garden and plantings as the owner is a bespoke florist.  The side path and rear court was a paradise of immaculate white pebbles planted with everything from irish moss in shallow pans to brussels sprouts and california poppies.  A gorgeous stephanotis was being trained up the side of the house.


This is what I thought was quite fun, creative, and a very personal statement.  Are you with me?  Yes!  They are!!!!  Drinks cups!


This house allowed no indoor photography.  It had been a "tear down" on purchase and was rebuilt in a "Tuscan Grange" kind of style with the "Great Room" at the front enjoying a practically 30 foot ceiling height barrel vaulted in silvery gray wood.  Probably oak?
  

I fell in love with the long hall of french doors on one side, with the "enfilade" of children's bedrooms and guest room on the other.

What is noticeable and instructive (and reminds you of the design quandaries we all address at home) is that in many of these newer houses, the ambitions of the architecture and landscaping do not ALWAYS sync with the existing furniture that the owners bring to these houses.  Or, the options available in the American market that do not always relate in scale to the spaces that the architects have designed.  Finally, some peoples' personal collections may not always stylistically integrate with the uncluttered volumes and lines of the structures.  This next house did NOT have ANY of those problems.


The structure makes an immediate statement from the street. The orange canopies against the blue sky are just gorgeous.   And reminds me how much the California landscape loves orange.  I'm remembering too all the suburban shelter magazines from the 70's that so lovingly adopted these oranges for year after year of California style living. The orange here does not look at all cheesy or dated or strip mall-ey.  It looks very classy and classic.  And reappears over and over.  Look at the dialogue it's having with the exterior panels.  (Raw steel like a Richard Serra?)


OK.  Walking in the front gate:  lap pool, anyone?  Sliding doors onto said pool from the library?  Foot dangling while perusing favorite design bibles??????  (Life is looking pretty good!)


Front of house:  that's some glass!!!!  Velour-ey canteloupe colored pebble pillows on the divan?  And who's that girl who walked into my photo to color-coordinate perfectly with the subtle yellow variations in the other cushions and vases on the coffee table?  Hubby?  Was this the house that had the movie screen that slid down the full length of the glass with the projector suspended from the ceiling?  Yes, I think it is!  (N.B., nice call preserving that massive sculptural tree out front).


There it is!  Yes I think that's the projector overhead.  Suspended above the clear tempered glass walkway.  Leave your miniskirts at home, girls.  More glass, more light.  Crying "uncle" anyone?  (Or "BUY, BUY!"?)


Back of House:  More massive glass attack.  Massive dining table in perfect harmony with the superscale all 'round. Looking straight onto outdoor seating area and groovy rear studios.  Clean visual but cool texture-y feel raw block walls.  Subtle subway tile allure (scaled UP!) but with tactile japanese/mid-century feel.  I wouldn't want to dust it. Kitchen not massive, but everything is there.  Including the mid-century (but NOT Mondrian-style primary) color block statements.  The of-the-moment massive marble counter top which totally worked with this paler island.  (Whereas elsewhere the two materials used throughout a kitchen did not add value to each other - i.e., both ended up looking cheesy.  Sorry!)  It helps that it cantilevers so daringly off the cabinet.  Butler's sink - check!  Cliche, but classic.  And I cannot tell you if those steel posts framing the stove area were structural but they make great magnet space for your family and travel pics!


Look how nicely that huge slab of white plays with that block wall behind!  (Totally working!) And the gleaming reflections off the stove's stainless steel backsplash.  Yes!  OK so did I love that house?  (And I am not REALLY a mid-century girl.)  Yes I did!  (You?)  And that was just one floor. There were one or two other floors, plus the aforementioned rear studios.  (Sigh!  Where do I sign up?) 


OK, NEXT:  This is the "Bricault House".  You can google it (add "Venice") and you will be able to find out ALL about it.  (There are more links than this post needs.)  You'll see more pictures of its very special details.  Some of them I thought were a bit much of a muchness.  Especially considering the house was sited between two homes that were, to be nice, "humble".  So this house was built for the love of ideas, and a great location (about 5 minutes to the beach) and not for great resale. The above is the master bedroom.  The young man is standing in front of the garage in the rear alley.  


Inner Courtyard:  Brugmansia, anyone?  Almost every house on the tour had to have a specimen plant.  This one is rocking its job.  Did you know that you can just stick a branch of this plant in the ground and presto-change-o (no really, more than your AVERAGE plant!) it will just.....GROW!


So three sides of vertical succulent plantings.  Inside view of aforementioned Master.  Juliet balcony overlooking courtyard and Brugmansia.  


Front of the house was more "usual" - you can say that after 30 houses, this was the last one.  But the back, so full of surprise after surprise.  Again.  Some of these things I could have done without, but that's just me.  (Since we're  talking 30 houses, my camera battery was packing up right about here, no matter how I pushed it.  So next couple of shots courtesy of Mr. Paradis and Apple).  But that inside there? That is not your mother's spiral staircase.


And here's where it leads.  For the top of your house, what do you think?  Something every house should have?  Makes some statement.  Or this?  (Below.)  Three sides of succulents and an alpine meadow on the roof?


If you are green, maybe more so.  And taking that concept even farther......right the way into "Urban Farming".  Artichokes and Swiss chard on your roof?  And why not?  Views of "just ordinary" Venice architecture beyond?


(Also courtesy of Mr. Paradis.)


OK so now.  This. Was  not on the tour.  Just a little postscript for you.  This is a multi-unit building.  Hubby and I thought it was stunning.  In kind of an industrial Euro-membrane style.  Feels like no part of it does not come wide open.  So delicate, like a fly's wing.  So ethereal, so transparent, like a maison de verre.  Peeking through the windows though, is that some robust interior earthquake bracing?!  Thinking again.....it looks like Japanese shoji doesnt' it?  Love the contrast between that fragility and the very grounded, solid, square shape.


Framed by massive twin palms.  Nice touch.  Do the ceilings just open right up too?!  Sorry about the unfortunate "bedspread".  (Moving day in the neighborhood.)


A funny side-story about this building is that it was built something like 3-5 inches in every dimension bigger than it was permitted at.  Someone has measured it and filed a complaint!!!!!!  Proceedings notice posted outside.  Watch this space.


So it's a marvelous world.  (Especially marvelous in LA.)  As a sendoff,  here's the garden of the designer who initiated this tour back in the day, Mr. Griffith.  He is someone who apparently likes to live and design large, he occupies a compound of bungalows on a corner surrounded with massive-scaled Hollywoodian garden spaces.  You can't see the bubble machine that he had going here but yes, those ARE purple and silver mirror mosaics mid-distance.  Sounds like he throws fabulous parties too.  So .....what about you?  Putting the garden tour on your calendar for next year? 


See you there!







Sunday, May 2, 2010

Venice Garden and Home Tour May 2010

Hubby and I had a delicious day out on Saturday.  We took our bikes and joined in the Venice Garden and Home Tour (link here).  It was a great way to leave our own nagging little worries behind and indulge in a 3-D fantasy in glossy gleamy living color for an easygoing Saturday afternoon.

This is an annual tour benefitting a local youth group, Las Doradas Childrens Center for "at risk kids". The tour comprises distinctive homes in a delightful neighborhood close to the ocean. In Venice are gathered many modest homes housing ordinary families, but the neighborhood has been substantially transformed in recent years by ambitious and quirky architectural statements mixed into and as part of artistic/hippie enclaves and rustic and not-so-rustic celebrity hideaways basking in the brilliant sunshine.


The architecture, as in most of Los Angeles, is a mix of 20's "Craftsman", Spanish hacienda, and "modern", most of the last of which have been constructed in the past 10-15 years.   Make sure to check out the link above for more info on the history of the tour and the homes included over the years.


Although not everyone wants to be included in the tour, and have strangers traipsing through their house, many in the 'hood are "house-proud"and artistic and whatever the genre, have spruced up their homes or restored them lovingly to former glory.  Architects and landscape designers are drawn to the area through identification with others working in the same fields and as a way to find community, competitive impulses, and the obvious benefits of showcasing their ideas in a context that shows them off to their best advantage.  


Streets are colorful,


exuberantly planted, and welcoming. 


Here is a gorgeously restored Arts and Crafts house with a vegetable and herb garden out front.


The restful interior, with gleaming white magazine-layout kitchen at the back, makes for a comfortable, restrained, soothing environment.  I have to admit to a terrible weakness for Craftsman style homes.  This house really got my heart rate up when I saw it.  I had NO idea what was yet to come!


Here's a more exuberant Craftsman cottage, planted with every kind of flower imaginable, in an English style.  (You can plant practically EVERYTHING in LA.)


Most houses on the tour have endeavored to incorporate vegetable and herb gardens, and very successfully so, in quite small spaces.


This citrus green seems to be very popular and could be seen in many of the houses on the tour, as countertops, backsplash, interior walls as well as exteriors.


Water features are ubiquitous.


As are statement outdoor fireplaces with generous seating areas.  Love this blue one.


Lots of fencing ideas are explored in these homes.


Hubby and I found the masonite panels which could be painted WHATever! spoke to us.


Textures and irregularities in facade surfaces were a regular feature of the houses we saw, 


as were Frank Lloyd Wright style textured raw cement block for both exterior and interior interest.


Loved this curly, wormy laminate that was used for the stairs of this house.


Indoor/outdoor is a must for the dry air, relatively bug free, mild temperature easy going LA lifestyle.  So seductive!


Here's that green again!  Digging the recessed candle-groove in the table up front.



A huge trend has been in developing kinds of screening to protect the house from the harsh light and heat.  And to enhance privacy.


Solar panels are a must.  (Although hearing that thefts of such are increasing in these recessionary days!)  If we are talking about incorporating the latest in architectural AND GREEN trends.


Look how gorgeous this sidewalk is.  And inviting.


Reclaimed wood fencing with a mix of sizes and styles of lumber.


Not part of the housetour, but a streetscape:  leftover paint from those gorgeous robins egg blue walls for your tree trunks anyone?


Here's another one of those bumpy facades.  And a giant eucalyptus that has been preserved to add scale and drama to the streetscape.  

So how was that for an introduction to Venice?  Tomorrow I will post two houses that had ALL THE BELLS AND WHISTLES.   Maybe you will get that "WOW" feeling all over from them that everyone on the tour seemed to feel.








Friday, April 30, 2010

Got Company?



David Hockney 1978, Ma Maison menu

Have a great weekend everybody!





Pale and Interesting Friday



So these are the pieces that initially inspired my "Pale and Interesting" series.  Thanks to Camilla for permission to post hers and Per Agelii's.  They are all different but the same in spirit.  I got a little shiver from each because of their simplicity. The immediacy that they embody in their mode of construction, which gives the forthrightness that I mentioned in previous Pale and Interesting post.  Their restraint.  Their delicacy.  They seem to describe a journey of exploration.  And all are ultimately, considerably sophisticated.


Sculptural "sketches" from his studio above, by Per Agelii via Camilla Engman

via amy at all the mountains, Latvian artist, Mara Skujeniece at skujeniece


Camilla's own work from her site a little while ago.



Wednesday, April 28, 2010

Pale and Interesting Thursday



Wild strawberries
David Karp, LA Times


Now wherever have you seen anything that looked like this?  Do these look good to you?  Would you eat them?  I tried to match them in this post with something else.  But they are so pristine, so perfect, and so somewhat bizarre in their pallor that anything else looked like it was just playing!!!!  Next to them.  So here they are in all their solitary glory.

I would like to think that they could grace the most elegant of wedding luncheons to be consumed with champagne and sole, steamed turnips with some kind of daikon foam and finely sliced pink radishes alongside,  quenelles, poached chicken with a vanilla sauce, the palest of tagliatelle with white truffle sauce or.....and moving on to dessert,  angel food, vanilla cupcakes, meringues, blanc-mange (in Hawaii we call it almond float or haupia if it's with coconut) or for ANY kind of extra special event.  I'm imagining that they would taste just as good as regular strawberries.  And you wouldn't have to worry about stains on your all-white suite of furniture or your uber-white summer ensemble!  

Pale and Interesting Strawberries, link here to find out more about them.



Tuesday, April 27, 2010

Corner View - Animals, a Smorkin Labbit?


OK, so you're gonna go with me on this one, aren't you?

Did you see the report on the recent study that said that a good laugh is as good for you physiologically as a session on a treadmill?   Well since I am notoriously phlegmatic, this was some of the best news I've had all year, and probably why I married a Brit.  (Because seriously, they must be the laughing-est race around.) And why this little guy came home with me on my birthday last year.


Nice shape huh?  Luscious red color too.  The "K" on the forehead?  I have no idea what that is about.   I do know he is proof positive that SOME PEOPLE never GROW UP!


Recognize him?  Yes.  He is a bunny.  No.  Not an easter bunny.  Not a cuddly bunny that you'd bring home as a pet for your kids.  No, not even really edible considering his, uh, fairly disgusting and retrograde personal habits.  (Yes I mean that thing sticking out of his mouth!)


No, his sole purpose in life, with his mismatched smears for eyes and anthropomorphically 5 o'clock shadow-stubble, and tubby plastic physiognomy, is to be UTTERLY ANTISOCIAL!  And to make me laugh!


He is so cute and round from the back, with his tidy little cartoon OKOLE  (that's Hawaiian for you-know-what)


In this shot with a slight shadow over his right cheekbone, he gives that perfect insinuation of Joe-Pesce-meets-James-Cagney-at-Bugs-Bunny's-House!  He is such a collision-course of what we think he should be and what most of us animals can truly be way deep inside on our very worst days.  Aren't there mornings when you wake up feeling like you look like this, and wishing you DID look like this so that, really, NOBODY would mess with you, cause you just can't be bothered?

The icing on the cake is that the name he goes by is "Smorkin' Labbit".  Being half-Chinese, if I did not laugh at this, I would have to go running home to Mommy in tears every single night of the world. 

But because I can laugh, all I have to do is look at him and slap my hand on my leg and go - ha-ha-ha-ha-HA-HA-HA! Until I cry anyway.  Oh but it feels so good.

So that is my Corner View for this week.  And it's so NOT pale but maybe a little kind of INTERESTING?



p.s. I hope that no smokers were injured in the making of this post!

More Corner Views here:  jane, ladybug-zen, ian, bonnie, esti, sophie, cele, modsquad,

Monday, April 26, 2010

Pale and Interesting Tuesday



Mid-eighteenth century dress from the Metropolitan Museum of Art Costume Institute found at Deborah's wonderful blog KickcanandConkers, who found it via Mothtales, another terrific fantastical site.


It could be argued that the dress above and to a greater extent, the pieces below, fall into the category of folk art. Based on the humbleness of the materials and means used to make them up, and the exuberance and simplicity of their color palettes and execution.


Is it a coincidence, or in some acknowledgement of the recession that has overtaken the developped world, that we are experiencing a "folk art", "handmade", "outsider" moment?  If you are judging by the British cultural scene, it's easy to think that.  The Victoria and Albert Museum has recently opened a quilts exhibition:  Quilts 1700-2010, (see also Barbara's post on this over at BFR Mag) including samples from the museum's collection, art quilts, "important" quilts with historical pedigrees, as well as "homelier" quilts made for common use by "common people".  (Thank you Jarvis Cocker.)

via Camilla Engman, at an ambitious project collapsingSlotins spring auction

In the April 2010 issue of World of Interiors can be found features on James Brett's private collection of mostly American Outsider Art, "The Museum of Everything" Exhibition #1 of which is running at the Pinacoteca Giovanni e Marella Agnelli in Turin, Italy currently through 29 August, 2010.  The same issue featured stories about Irene Feesey (yesterday's post) and Mary Delaney, an 18th century "gentlewoman" who, at age 72 devised a "paper mosaik" technique which produced stunning horticultural studies, now on view at Sir John Soanes Museum through May 1, 2010.

The May issue of WOI reviews the new Henry Darger book, (Klaus Biesenbach; Prestel Publishers) an artist who's work fits all the Pale and Interesting, Outsider and "Handmade" descriptions.  There is also in the same issue a story on a fabulous, Italian mini/personal museum.  It is that of an auto-diact schoolteacher, Ettore Guatelli (Museo Ettore Guatelli, Parma, Italy) which is effectively an old barn and house that over years became filled with Mr. Guatelli's collection of everyday tools and sundry items like clocks and shoe lasts.  (Socks!  Tin Molds!  Wine Baskets!  Remind you of anyone you know?!)  Much of the tools are displayed on the walls in a way that celebrates their beauty as much as their utility in a manner similar to the way that tools are displayed at the slightly eccentric Barnes Museum in Merion, Pennsylvania.

Which leads to a whole separate discussion about how determinedly a cultured society should be defending, valuing and preserving the particularity of an individual's vision and passion as reflected in their past work and collections. This battle is apparently being lost by Mr. Barnes despite his very specific last will and testament stipulations.  His collection has been co-opted by local government, private interests and legatees and looks very likely to be moved from its current location and altered in its management, (contrary to his wishes) in the name of today's "public interest".   To find out more about this subject, read the article and see the movie: The Art of the Steal.

Which brings me back to the theme of this series.  Interesting and Interestinger!